Thousands of items from Frank Zappa’s vault, every format from Regular 8 to 35mm feature film, each shot under wildly different conditions and brought to one consistent look so it all cut together.
Frank Zappa was a compulsive documentarian, and the evidence filled the basement of his home: thousands of film and film sound elements spanning feature films, concert footage, travel, backstage moments, and private reels. The archive is kept for the Zappa Family Trust by Joe Travers, the archivist known as the “Vaultmeister,” who catalogs and manages its contents. We were brought in to digitize the film elements so they could serve as source materials for a biographical documentary by actor and filmmaker Alex Winter.
The vault held just about every kind of film ever made, from Christmas-morning reels of Zappa’s childhood on Regular 8 to 35mm feature films, and nearly every format in between: Super 8, 16, and Super 16. Within each were emulsions of every type: camera negative, internegative, interpositive, color reversal intermediate, and release print, in black and white and color alike. Every piece had been shot in its own era, its own situation, and its own light, so no two looked the same.
For a documentary, though, all of it has to cut together. The picture cannot lurch from one look to the next between shots, so this wildly mismatched material could not simply be digitized and handed over. It had to end up as a single, consistent image.
We digitized every format and every emulsion in the collection, then did the harder part: bringing all of it into one common color space, matching each stock and format to the next, until footage that had started out wildly different could be intercut as though it had all been shot the same way.
The scans became the primary source material for the Netflix documentary “Zappa.”
The client was glad of both the image quality and the completeness of the preservation. Beyond the documentary, the digitized vault is now a stable archive of a vast and famously sprawling body of work, secured against the further decay of the originals.
